Shit, I had to deal with pneumonia and playing gigs a couple of times back in the day. The only time it really gets a little difficult is when you contract colds or flu or worse on tour (pretty common in that environment). If anything, I've perhaps learned how to use phrasing and accenting of lyrics more creatively.ĮT – Have you ever hurt yourself by using a "wrong technique"?īARNEY – Personally, no. ![]() Aside from that, it would be actually really hard to describe what I'm doing – it just kind of comes out, really.ĮT – Has your technique changed during your career?īARNEY – Perhaps, but again, nothing I would be aware of that in terms of marking the differences. However, it's all about the creating the whole feel for me, so I cannot approach it any other way than at maximum power. Some extreme vocalists, you see, save themselves a little by only partly projecting their voice, then letting the amplification and sound techniques do the rest. This is because I need as much lung capacity as I can muster. It couldn't be anything else but inspirational, and in all fairness, it hasn't had quite the same level of quality since.ĮT – Can you describe the technique or the techniques you are using?īARNEY – In terms of accepted vocal technique, I always try and sing from the diaphragm. It just seemed like a good thing to do at the time.ĮT – What made you start to do extreme vocals?īARNEY – The wave of truly great extreme hardcore and metal that was flooding the underground in the mid-eighties. Barney viste seg å være en enkel herre å få i tale og nedenfor kan du lese hans ganske så utfyllende bidrag til The Deepthroat Series.ĮT – When did you start doing extreme vocals (What year and at what age)?īARNEY – I think it was when I was eighteen-years-old in 1987 that I started to realise I could growl like a bear. ![]() Jason Netherton fra Misery Index valgte ut Barney Greenway fra Napalm Death som sin etterfølger i vår Deepthroat serie som omhandler extreme vokalister og vokalteknikker.
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